
Unlike the spectacular subject of Cyberpunk Cinema’s last entry, not every sequel to a popular film ends up meeting expectations…take for instance the film I’ll be discussing today, “Robocop 2″. The original was both a cyperpunk action/sci-fi movie and biting social commentary all in one, but still having enough of a “soul” where the movie wasn’t totally unlikable. In the sequel, that soul was ripped out just like Alex Murphy’s was — gone were the insights on humanity, memorable villains and cohesive plot. These were replaced by dueling Robocops, throwaway bad-guys and half-explored subplots. Yippee, let the dystopic mayhem run amok!

As if the first movie didn’t show enough how big drugs are of a problem in the Motor City, this time around the addictive narcotic is a red hallucinogen with the oh-so-subtle name of “Nuke”, which threatens the entire populace (as I said, “subtle”.) While investigating the ring of criminals distributing the drug, Robocop has an unwanted meeting with a jackhammer and ends up a cybernetic scrap heap as displayed above. When he’s repaired, he ends up being reprogrammed with commands to do things like help the environment and quote proverbs to a group of thieving schoolchildren, definitely the funniest scenes in the movie. (The scenes were in an in-your-face moment to the hordes of real-life parents’ groups complaining that popular movies were sending dangerous messages to kids about violence.) How Peter Weller managed to play that off with a straight face and making the expressions he does in those scenes is beyond my comprehension. It seems the bad guys have done quite the number on our pal Robo.

Ahh yes, the villains — certainly a part of what made the first film so much fun. Before they were on “E.R” and “That 70’s Show”, Paul McCrane and Kurtwood Smith were some of the slimiest bad guys ever seen on the big screen in “Robocop”. Taking their place this time are a druggie whore, Elvis impersonator, hippie cult leader and…that little guy (Gabriel Damon). Yup, “Robocop 2″ makes the interesting choice of casting a child villain; one who swears like Eddie Murphy circa 1984 and opens fire on cops with reckless abandon. Oh and by the way, thanks to the magic of IMDB, this gun-toting, foul-mouthed, hadn’t-hit-puberty-yet bad guy also has another famous credit to his name…Littlefoot. Yup, one of the main bad guys in “Robocop 2″ was that wimpy dinosaur in “The Land Before Time”…good God. As the old saying goes, you can’t make this s**t up.

Speaking of the hippie cult leader Cain (Tom Noonan), he ends up on the verge of death after a battle with Robocop, and is then himself murdered to provide the brain for Murphy’s replacement. OCP’s trial-and-error process for the new prototype is one of the more gratuitous and humorous sequences in this violent film, one which literally transforms Cain into Robocop 2. As a means of controlling him, they bait him with Nuke, the same narcotic he was hooked on in human form. He can have as much of the drug as he wants, the only catch being that he slaughters his former associates and Robocop. As an interesting aside, look for Frank Miller himself in a brief cameo as a drug chemist/designer (also named Frank) who gets blown up in his own lab.

Needless to say, things don’t exactly turn out how OCP wants, and their new “bastard creation”, as the first film’s Dick Jones would have said, goes on a drug-induced killing spree. The only one who can stop Cain/Robocop 2 is the original, and both of them proceed to fight it out in the OCP headquarters and streets of Detroit. Some of the dialogue before this, including the OCP CEO’s command to the cyborg pair of “Behave yourselves!”, and the wild outbursts of the city’s mayor are laughable and do nothing but add some serious cheese to this sequel. In spite of that, the overacting of the city mayor is actually quite funny (think Don King or Johnnie Cochran on crack).

Ultimately, Robocop’s brain triumphs over Cain’s brawn…or is it the other way around (examine Cain/Robocop 2’s death scene in the film to get the reference)? Robocop’s final line made a reference to his humanity, concluding in a similar fashion to the first film. And that, in my opinion ladies and gents, is where this sequel went wrong. The first 20 minutes partially explores Robocop’s intention to reclaim his humanity and family, something which could have been a key part of the film, then drops it with no explanation. It seems as if he almost accepts his fate as a machine, even when Littlefoot is trying to bust a cap in his steel-plated dome.
Oh and one final caveat, though the credits may say that Frank Miller was the screenwriter on this, he wasn’t totally responsible for this garbage. His original script went through so many rewrites that the finished film utilized almost none of his concepts. If you want to see what “Robocop 2″ could have been, his original script was made into a comic book called “Frank Miller’s Robocop”. Unfortunately, the trend of sequel crappification would only get worse. By the time of the third and last film, Robo was flying like the f*cking Rocketeer and helping to avert a housing crisis — but I’m not even going there. No wonder Miller didn’t return to Hollywood until “Sin City” came out, luckily that time he had creative control…and the difference shows.

















